This is usually quite processor intensive, especially for a long video clip. Stabilisation chopsĪdobe has also improved the app’s stabilisation tools, which represent a combination of cropping and on-the-fly rotation to smooth out the movement in your shot. After Effects takes care of everything for you. The template encapsulates everything in its file, including any media you’ve used, making it incredibly easy to move around from computer to computer or user to user without fearing you’ve forgotten to include a crucial file. Once you’re happy with your template, you can save it to your library or even to Creative Cloud to share it with others. There’s an Essential Graphics Panel here as well which is where you can build those complex template effects. We explore how you can use and edit Motion Graphics Templates in our review of Premiere, but After Effects is obviously where those templates are actually created. Speaking of Premiere Pro, one of the most interesting developments is the Essential Graphics Panel. This is a really big step forward because up until recently, no Adobe tool had real-time scopes, but after a careful acquisition, the firm has improved the multi-scope technology it purchased, and moved it across the board, which means it’s also available in Premiere Pro. Which is why these scopes offer real-time feedback (depending on your computer’s processing power). What’s really important here is that this is all about video, not still images, and colour can and does change over time. Obviously these tools are designed to help you with colour correction, and the Effects Controls grant you access to a Colour Correction Lumetri, where all the parameters are at your disposal to create vibrant, colour-accurate versions of your original clips.
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